Authors have one challenge most artists outside of writing do not have.
Most artists, such as painters, do not need to worry about developing skills in the logical, analytical, fact-based side of the brain. Instead these artists work almost exclusively out of the holistic, feelings based, emotional side of the brain where the imagination and creativity blossom.
Unfortunately, for authors, the craft of writing requires using both sides of the brain with an emphasis on the left side of the brain’s organized, analytical, fact-based logic where editing skills hide.
Writing the rough draft of a book length manuscript is the easy part of an author’s work and mostly this work takes place in the right side of the brain.
For editing and revisions, authors must switch gears to the left side of the brain where these skills work. If those skills have not been developed, the author—as an artist—is crippled.
However, there is an option. Authors may hire someone (more on this later with links, but I want to be clear—I am NOT an editor for hire. I am an author and I do most of my own editing) and pay for the left-brain labor of editing/revisions unless the author is economically deprived.
For example, economically deprived authors should know there are rules that govern where commas go. In fact, there are thirty-three pages in The Writer’s Digest Grammar Desk Reference on how to properly use commas, and I use my copy of this 354 page book (designed for writers) often.
More examples: The dash [ — ] looks similar to the hyphen [ – ] but these two punctuation marks have different functions in a sentence, and the semi-colon has a different job than the colon (and I’m not talking about the colon that is the main part of the large intestine but the one that is a punctuation mark—they are both nouns and are spelled the same way).
Did you know there is a difference in meaning for on to and onto, and what does the dash [ — ] and the ellipses [ … ] have in common?
The odds are you do not know the answers to the previous question. Yet, the dash, if you have not heard, is “the most dramatic punctuation mark you can deploy within the interior of a sentence. Use it sparingly.” Source: The Writer’s Digest Grammar Desk Reference
About this time, the author, as an artist, is complaining that he does not have time to mess with editing. Instead, she wants to write the next so-called great novel and has endless excuses why learning how to edit is not important when it comes to the creative process.
Writing, revising and editing are part and parcel of an author’s work, especially if she doesn’t have a contract with a traditional publisher that hires editors to do more than half the author’s job for him.
Moreover, the economically deprived author does not need editing skills equal to an anal-retentive grammarian with a photographic memory and instant recall that has memorized all 532 pages in the fourth course of Warriner’s English Grammar and Composition textbook.
Since the average American reads at fifth-grade level, authors should not worry about a few grumpy perfectionists.
As you will discover by the end of this series of posts, all an author has to do is to write a book that does not distract an avid reader with too many mistakes—let’s say no more than one error every 10,000 words or if we are generous, one error every 5,000 words. If mistakes appear on every page, that may signal the death of a writing career before it has a chance to begin.
Continued August 7, 2012 in The NEED to Edit – Part 2
Note: My Blog posts do not go through the exhaustive editing process my novels do.
His latest novel is Running with the Enemy. Blamed for a crime he did not commit while serving in Vietnam, his country considers him a traitor. Ethan Card is a loyal U.S. Marine desperate to prove his innocence or he will never go home again.
And the woman he loves and wants to save was trained to hate and kill Americans.
To follow this Blog via E-mail see upper left-hand column and click on “FOLLOW!”